Dated Released : 16 February 2012 Quality : LIMITED BRRip 720p.x264-SAiMORNY.nitro
Info : imdb.com/title/tt1714209
IMDB Rating : 3.9 (21,639 users)
Star : Zana Marjanovic, Goran Kostic and Rade S
Genre : Drama | Romance | War
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By: www.mamovie.net
“IN THE LAND OF BLOOD AND HONEY” — ★★★ — Zana Marjanovic, Goran Kostic, Rade Serbedzija; R (war violence and atrocities including rape, sexuality, nudity and language); in general relief Angelina Jolie’s debut film as a writer-director has a cause, vivid characters and a compelling tale. An ill-fated romance between Muslim and Serb set against the backdrop of the Bosnian civil war,
“In the Land of Blood and Honey” is so involving you may find yourself
shouting at the screen for the Muslim heroine (Zana Marjanovic) to make a
break for it, abandon her Serb soldier lover (Goran Kostic) and save
herself.
But like her heroine, Jolie struggles with when to get out, unable to trim this involving but slow-in-spots political thriller to a quicker, more palatable recounting of recent description.
A brief, lyrical prologue recreates Bosnia-Herzegovina just before the war — a silent land of cafes, clubs, sterile streets and seeming tolerance. Ajla (Marjanovic), a painter living with her single-mom sister in Sarajevo, goes on a lovely date with Danijel (Kostic). They slow-dance, they drink, they sing along with the accordion-rock band.
Then BOOM — a bomb blast, dead and wounded club-goers. Danijel, a cop, helps the wounded. Ajla comforts a dying woman.
“Everything’s going to be all right,” she whispers, a line repeated by the doomed, the delusional and by their murderers throughout the film.
And thus does the civil war start, the break-up of Yugoslavia, the majority-Muslim region declaring its independence, the armed and intolerant Christan Serb minority slaughtering one and all who would make that happen.
We see uniformed brutes around up every Muslim, carrying out “ethnic cleansing” town by town, apartment block by apartment block. Women are raped, often in front of the other women. Men are hauled off and shot, buried in mass graves. The victims stand in shocked silence, no one daring to speak up — “What are you doing? What kind of soldier does this? What kind of man does this?”
Ajla is captured, but she discovers she has a protector. Danijel is a captain, the son of a general (Rade Serbedzija). He can’t be too obvious about it among his men, but he still has a shred of humanity left, one awakened by seeing Ajla. He keeps her alive. He resists derogatory at civilians, indiscriminately. He seems to want credit for this from Ajla, something she’s slow in giving.
But like her heroine, Jolie struggles with when to get out, unable to trim this involving but slow-in-spots political thriller to a quicker, more palatable recounting of recent description.
A brief, lyrical prologue recreates Bosnia-Herzegovina just before the war — a silent land of cafes, clubs, sterile streets and seeming tolerance. Ajla (Marjanovic), a painter living with her single-mom sister in Sarajevo, goes on a lovely date with Danijel (Kostic). They slow-dance, they drink, they sing along with the accordion-rock band.
Then BOOM — a bomb blast, dead and wounded club-goers. Danijel, a cop, helps the wounded. Ajla comforts a dying woman.
“Everything’s going to be all right,” she whispers, a line repeated by the doomed, the delusional and by their murderers throughout the film.
And thus does the civil war start, the break-up of Yugoslavia, the majority-Muslim region declaring its independence, the armed and intolerant Christan Serb minority slaughtering one and all who would make that happen.
We see uniformed brutes around up every Muslim, carrying out “ethnic cleansing” town by town, apartment block by apartment block. Women are raped, often in front of the other women. Men are hauled off and shot, buried in mass graves. The victims stand in shocked silence, no one daring to speak up — “What are you doing? What kind of soldier does this? What kind of man does this?”
Ajla is captured, but she discovers she has a protector. Danijel is a captain, the son of a general (Rade Serbedzija). He can’t be too obvious about it among his men, but he still has a shred of humanity left, one awakened by seeing Ajla. He keeps her alive. He resists derogatory at civilians, indiscriminately. He seems to want credit for this from Ajla, something she’s slow in giving.
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